Wednesday, September 26, 2012

On Seeing Roxanne for the First Time

People who say there is no God are such fools.   Contemplate the complex, the impossibly complex workings of the human mind and body and no such conclusion is possible.   Millions upon million of cells, nerves, fibers, neurons, and other things, working together to allow humans to achieve and do remarkable things.  To attain nobility, to transcend the banality of life to create sublime works of art.  And, at times, for good or not, retain a memory of events that happened long ago, but were so important, the image of them remains stored in some safe, almost sacred, place.

Such was the moment I first laid my eyes on Roxanne.

Simply as possible, she walked into the room in which I had been waiting for our theory class to start and I was struck dumb.    It was as if an electrical current had been turned on, and I saw my entire life in front of me: this woman.    To say she was beautiful would be pointless.   Of course, she was beautiful, she was without question the most beautiful thing I had ever seen.   But more, she shone with beauty, but no, more than that, she radiated great meaning.  He presence communicated itself to my whole being, and my being reacted as if it was hearing the greatest piece of music ever written, or was observing the greatest, most beautiful painting or work of art that had ever been made.  My whole life seemed to change at that moment, I changed, was metamorphosed, became new, at that moment.    It was, an eternal moment, sacred and above all, very very real.  "This is the woman for you!" the Universe seemed to shout.   "There is One special person, one soul that God intends for another, and this is yours!"   I knew it in my bones.  In my bones.

But what does one do with such a moment?    If one is properly equipped one handles it and acts accordingly.  

Not being so equipped, I foundered like a rudderless ship in  a stormy sea.   I was tossed to and from, completely helpless.  It saddens me to think just how ill-equipped I was for that moment, and indeed, for so many other moments to come.  I am convinced that the universe made a mistake showing me Roxanne at that time, for there was nothing I could do about it.   Nothing I could do, except suffer and regret.   And that I would do for the remainder of my life.   Truly, God erred, greatly.   For I had done nothing to warrant such suffering.

But so many innocents have been doomed by far worse in this life, mine has to be so placed in proper perspective.   Someday.   Someday, I hope to gain such perspective.   But after 45 lonely, frustrating years, I think it unlikely to happen in this life.   So I await the after life, where, at last, I will learn why these events occurred when they did, and why I was to be cursed with a life of loneliness and regret.

And learning that, I may find peace, the peace that has so painfully eluded me all of my life.

Tuesday, September 25, 2012

The Wedding

Starting out the day, I was feeling confident and hopeful.   I knew it would be a test, a trial of some kind, set before me by the gods, or God, or Fate or Roxanne herself.    I knew it would be a challenge.   A challenge to hold up, to be strong in the face of tragedy, to accept my fate as they played out before me, that momentous day.

Yes, I say and use the word, tragedy, and not lightly for that is what is was.   It was tragic.   For me, that is.   It was my tragedy and mine alone..   \For everyone else who gathered for the occasion it was a day of joy --a celebration of tradition marking the continuity and rhythms of life;  a day where the community joins the family, becomes family, and says, "Yes, this is good, this is right!   Go, and live well, prosper, and may God bless you and be with you."     Yes, this is what it meant for everyone else.   But not for me.

How could it?  I was facing my own death.  Roxanne was and would remain my first and my best (indeed, my only) hope for happiness in life.   Unbelievable, you say, but no, it has proven to be true.   I never felt the way I felt for Roxanne for any other woman.   I never wanted another woman the way I wanted her.   I have never loved another.  Not like that.

You may think, "Ah, a youthful foolishness.   Such feelings are not real, they are only the result of an overly sensitive and romantic mind."   I wish that were true.   I know this for it has been proven out over the years.   How many years?   Forty?   More than forty years.  

No, the evidence was clear then as it is today, and looking at Roxanne in her beautiful white gown, her bridesmaids in their floral gowns, (how beautiful a sight it all was!)  I knew then, what a tragedy was unfolding.    Or rather, had unfolded, for Roxanne's marriage was the culmination of a series of events that pointed to this moment, that made this moment inevitable.   Her marriage was no "accident," or an event in which I played no part.  No indeed.    I made it happen as sure as I stand here, remembering.

I did not breathe as Roxanne took the vow, with that new ring on her finger.  It was not my hand that she held.   It was not my ring that was slipped on her finger.   And it was not my image that the congregation observed, and smiled at, and gave good wished to.  I had to understand that.   It was not easy.

A remarkable thing to experience really, the total and complete collapse of an illusion.   The priest said, "I now pronounce you man and wife," and I felt something die in me.  Or, I was aware that something had left my body.    I had loved Roxanne so deeply with such surety and certainty that there seemed no escaping the inevitability of our sharing a life together.   It had been all so clear in my mind: where we would live, what we would do, who our friends would be, where we would travel, our children, our future and growing old together.   Then suddenly, nothing.    None of it was to be.  Not to be, not in this life, no, no.  It was all a beautiful, beautiful dream.    It still is, sadly.

And so, the couple were proclaimed man and wife, I forced  myself to think, "This is best."

This practice I continued, day after day, year after rolling year saying, "This is best."   And it was.  But not for me. Again, for her, for her family, and she has a beautiful family, a family that SHOULD HAVE been mine.   But, no, that is not true.    It wasn't meant to be, so that is unfair and unrealistic to say, "It should have been mine."    No, it should not have been mine.  I could never have been.   There was no power in the universe to have made it so.   It was never real.  Never a possibility.  Never.   God, in his wisdom, knew that.

The ceremony over, we proceeded to the party, the reception as it is called.   I should not have gone.  This was cruel, making me watch her dance with her new husband, her new husband's family, and friends, and I. . . I was not really there.   I sat there, like a phantom, the dead,  feeling dead, I sat, pretending to have a good time, pretending to be alive.   Of course, I would never be alive again.  Not fully.  

Hoping against the reality of what I was feeling, I repeated, "There is something to be learned from this,"  "Something to make me grow and mature."   I said this when it got too painful, when the joy of the revelers peaked now and then.  I reassured myself, that I would be better for it.  At least I tried.   I tried. . . in vain.    I could never be better for having lived through that tragedy.   It is a lie that "what does not destroy me makes me stronger."   A stupid, illogical lie.

Paying my respects to the Bride and Groom, I left, and began to breathe again.   It was over. But was it?  Would it ever be?  No.   Not for me.   That moment would never be over for me; I would never really recover from that moment.   How could I?  

And so, I sit here, so many years later, alone, in the blessed darkness of night, the cold wind blowing hard against the windows, writing these words to you, to anyone who would care, with the hope that you might read them and understand.    Try, please, to understand and pity me.   Pity, and pray for me.

Now it is time to sleep.  

Now it is time to sleep and dream of other things.   other things. . . other things. . .

Wednesday, September 12, 2012

Charlie Lano Died Today

How do you talk about Charlie Lano?

You don't.    You make analogies, you make comparisons.   You write things that are poetic, because you can't talk about him.    You can't talk about him because he was who he was, and no one can know him who didn't know him, and words cannot express to another human about who he was.

Let me say this:   Charlie Lano is gone.    I don't want to live in a world with with  no Charlie Lano in it.

That's the best thing I could say so you'll have to be satisfied with that.

Good-bye, Charlie.

I'll see you soon.

Monday, September 10, 2012

The Ghost of Fifth Street

I am he.

I wander the streets of the neighborhood, the living dead.   Do not believe that we do not exist.  We do.  I am what I claim to be.   The dead.

But once I walked these same streets as a living being.   I had hope and I dreamt of the future, of how I would live my life.

I laughed with friends.

I accomplished things.

I enjoyed life.

I made love to women.

I played sports and games.

But mostly, I laughed.   And I made others laugh.

But now, I do not laugh.  I cannot.  A phantom may feign laughter but cannot.    He may trick others into believing he is alive!   But he is not.   I've done it.   It's easy.   People do not believe in ghosts or phantoms.   People will say the stupidest things to deny my existence, that is, to deny the reality of my dead existence.   They will say, "Oh, you are just depressed," or, "Oh, you're just in a bad streak, things will turn around."    They are frightened of death so they deny it when it looks at them in the face.   But they will, one day, see me for what I am, and I feel sorry for them when that happens.

I'm going now.   I have to stroll among the living.   I will try to teach them not to end up like me.   Many will.   Many will not.

Pity me.   Pity my poor soul.

Friday, August 24, 2012

QUESTIONS

8/19
I don't know why that smells.   Why does anything smell?

8/21
There is a space where nothing exists, they say.   But where?

8/22
Why is it that the stuff I don't want to change, changes constantly and the stuff I want to change NEVER changes?  

Does God exist?

If God came to you in the form of a person, would you punch Him in the jaw?

8/23
What do you do with rage?

8/24
Does anyone have any answers, really?





Meditation on Ramona

Ramona.  

At the edge of the forest
Among the green leaves and thick trees,
Near a gently flowing stream,
Sits Ramona.

You cannot see her;
She is barely visible, even to me.

Ramona lives forever in the summer air,
In the silent heat of summer,
Among the green leaves and thick trees,
Near a gently flowing stream.

"Who is she?" I wonder.
I always have;
But I do remember her,
And love her.

But her heart is a mystery,
An elusive nymph, flitting
Here and there,
Sad and lonely, floating, darting,
Among the leaves and summer breezes.

So she remains
A mystery and
Unapproachable, forever.

Ramona, your simple beauty haunts me,
Haunts my dreams,
Like a beautiful memory
Of love I once knew!

But she glides, in and out of reality,
Like a leaf in hot summer breezes.
She lives in the silent heat of summer, hidden,
Among the green leaves and thick trees,
Near a gently flowing stream.

Her song, simple and pure,
Rises above the chirping sparrows and robins,
It, too, is a beautiful  mystery.
Oh, how lovely it is.

See! There! She treads, soft and pure,
To the stream's edge,
Holding a basket of fruit.
In the hot summer air she remains still and chaste.

Can you hear her song?
It lingers,
Gently, as it soars through
Time and space, then disappears.

Ramona lives just beyond us,
We who have known her,
Who live only on the earth's plane.
Our world is not hers.

Let me come to you!
I cry, silently, to her.
I weep, knowing I cannot.

Our eyes meet, , , but only for an instant
She smiles her knowing smile,
And she is gone.

I linger, waiting, searching;
And I listen.

Can you hear her song?



GENE KELLY'S BIRTHDAY

It was the 100th anniversary of Gene Kelly's birth yesterday.    I know this because Turner Classic Movies devoted their whole day to his films.

While I think Kelly had genius, his films are often very disappointing.   His most celebrated (critically) is "An American in Paris," which I find a complete bore from  beginning to end.  And I can't figure out why, exactly, it just is.  And that endless "ballet" sequence.    Are you kidding me?   Ballet for people who hate ballet.   Sorry, Mr. Kelly, I love you but this sucks.

"The Pirate"?     I won't even begin to comment on that piece of tripe.

"Cover Girl" is an interesting piece.  With songs by Jerome Kern, a cast that includes Kelly, Rita (All Genuflect before the Goddess Rita) Hayworth, Phil Silvers, Eve Arden (is there a better screen comedienne?) Rita Hayworth, and did I mention Rita Hayworth, and many other fine character actors, some stunning choreography by Kelly, this should have been a much more successful film.   It is not beyond the joy of just looking at Rita Hayworth (oh my God, Rita) and appreciating her beauty plus talent.  Was there a  more stunning creature to grace the screen?   Ah.... no.  

But back to the film, did I mention how sizzling HOT Rita Hayworth is?   Oh, sorry.

"Cover Girl's" flaws can be simply elucidated:  it's script.   What's that smell?   Ugh!   It's that script!   How, in God's name, did Harry Cohn approve of this script which reads like something from a Junior High School play?    And this film did not skimp on production values: technicolor, costumes, a multitude of costumes, big production numbers, music, music, and more music, I don't get it.    It's like he said, "Make it look good and who cares about the script."

Indeed, who cares when you're looking at Rita, but Rita's not on the entire time, you know, unfortunately.   And she does have to deliver some insipid dialogue.   Good lord, none of it was believable.  None of what we were supposed to take seriously, anyway, like the Kelly/Hayworth love-conflict.   Pure nonsense.

So how did this happen?

I don't know.   I was hoping one of you had the answers.    But you don't, do you?  I'll bet you don't even know what I'm talking about, do you?   Come on!   Come on!!!    Admit it!

Bah.    I'm wasting my time on you troglodytes.    Go back to  the Kardashians,  or Dancing With The Stars, or, Jersey Shore, or whatever particular piece of crap you allow to flow into your homes through the television.  

Anyway, Gene Kelly's birthday.    Got to say something nice, here, no?

Okay.   "Singing In The Rain."

You smiled, didn't you.   All anyone has to do to make someone else smile is say, "Singing In The Rain."

Jean Hagen, in "Singing in the Rain."
Donald O'Conner, "Make 'em Laugh"
Kelly's monumentally entertaining, "Broadway Melody"
Cyd Charisse's legs.
All those great songs.
Wonderful script from Comden and Greene.
Cyd Charisse's legs.  (homina, homina)
Kelly's absurdly perfect "Singing in the Rain," number.

Come on!   Best screen musical evah!   (not based on a Broadway show).

Thanks, Mr. Kelly.   If you had done nothing else, you gave us, "Singing in the Rain," and for that, you should be canonized.

Tuesday, August 14, 2012

Carolyn's Sky

I met Carolyn at a health-food place on St. Marks.   The place is long gone now, but I loved the waitresses there and they loved me.   Really.   They did.   Well, not like that, but they loved me. 

Anyway, one of them said to me one day, "Hey, Joe, you'd love Carolyn, and I think she'd love you!" 

"Really?" I thought. "Well, make it happen."

Carolyn was a dancer, it turns out, and taught movement and dance at the same day care center that Janelle, the waitress did. 

"Come back tomorrow at around two o'clock.   She'll be here."

And so, we met.   It was during the Christmas season.  We sat at the same table in the health-food place.  She seemed to like me but when I offered to drive her to the airport, she flipped.   She thought that was the greatest thing one person could do for another.   Damn, she was pretty.   Very, very pretty.  And a dancer, so I don't have to tell you about her overall physicality.  

I drove her to the airport a few days later, for her Christmas visit home.  She promised that, upon her return, she would take me out to dinner. 

"How about Peking Duck?" she asked.
"Sure!"
"Well, then, it's a date.   I'll call you as soon as I get back."

And she did.  We had a wonderful dinner in Chinatown, Peking Duck, it was, and then we attended a dance recital that included one of her pals.   Very nice.  She lived on the upper east side, not more than a quick cab ride from me.   I saw her home.  I offered to cook dinner for her to return the favor for the duck.  She accepted.

So, I cooked and she was floored.   She couldn't believe I could cook so well.    I served the food but before we ate, a walked over to where she was sitting, raised her chin gently with my finger, and placed a long, gentle, warm kiss on her mouth.    And she responded.    It was a great "first kiss."    Anyway, I had her in the palm of my hand because of that meal.   We moved to sofa and watched some TV and "made out." Nothing more.   She was clearly not ready, so I didn't push it.   She was special and lovely, really really lovely, so I didn't want to do anything to jeopardize our budding romance.  Besides, she revealed that she was a Buddhist, whatever that meant.   I thought it had to mean something, so it gave me pause in rushing into a sexual encounter.   Those things are always best left to happen naturally.    That was my philosophy, anyway.  

A couple of more dates, a few meals, then lunch, after which she said, "I'm going with some friends this weekend to ski.  It's something we do every year."    Oh, I remember it so clearly.    She wore a gray trench coat in the winter chill, with a red scarf.   She was so beautiful.   I remember telling her how beautiful she was.   She like to hear it, too.   
"Skiing?   Sounds great."
"Yeah, just a bunch of friends, you know, it's fun.  We go every year."
"Sounds like fun."
"I'll call you when I get back."
"Can't wait to hear all about it!" 

We kissed gently, and as she walked away . . .  and then it happened.  There came that awful, cold, cold shiver, that portent of tragedy that comes from. . .?   Where?    Wherever it comes from it comes to warn you.  And woe to him who ignores or downplays it.   Pity him.  Pity Me.  

And so, at that moment, as had happened so many times before, I knew that I would not see Carolyn again. As she walked away I thought, "Take a good look, Joe, because this will be the last you ever see of her. . . take a good look. . ."  And I did.  I watched her as she walked away. I saw her stop at the light on the corner and wait for it to turn green.  When it did, I watched her cross the street and descend the stairs down into the subway.   The last thing I saw was her short cropped black hair on the top of her head.    

Next night, she called, saying she was about to leave, and that she would call me as soon as she returned  on Sunday, and that she would miss me.  How sweet and considerate!  I told her so. She made me feel so. . . loved.     (Maybe I was wrong.   Maybe she did still want a relationship with me.   Maybe my fears were unjustified!   Maybe she'll call me on Sunday, just like she said, and we'll just pick up from there, fall deeply in love, if we weren't already, and get married!    Maybe this chill down my spine was. . .)   No.  I knew better.   But still, I hoped.   Against all the forces of the universe,  I hoped.  I foolishly, stupidly, childishly, hoped.   And I paid the price for that hope.

Sunday.    Sunday came.    Sunday came and went.   No phone call, no Carolyn.   Fool that I am, I stayed home, waiting for her to call, hoping against hope, trying, in vain, to dismiss what I knew to be true.  I tried ~ in vain.

I struggled not to call, not to appear, "needy," as we all know, women find that more of a turn off than having only one credit card. . 

But by Thursday, I had to call.  There was no answer, so I left a message. 
"Hi, Carolyn, it's Joe.  Hope you had a great time.   Call when you can.   Bye."

Days passed.   Nothing.  My pain, my curiosity, my longing, my conflicted hopes and desires became inflamed.   But now, I was angered by her lack of respect.  I was a mess.  I called again. 

"Hi, Carolyn, it's Joe again.  It's kind of been a while, and honestly I'm a bit concerned.  You didn't get killed on the slopes did you?    That would be a bummer.   Please call when you can, thanks doll."

Days turned into weeks and I left more and more urgent messages but always kept my emotions and temper under complete control.   Finally, though, I could hold my anger back no longer.

"Carolyn.   Look, if there's something wrong, if you don't want to see me anymore, I'm a big boy, trust me, I can handle it, just please, dammit, have the decency to call me, and tell me.   Okay?  Jesus.  Just call me.  That's really not too much to ask."

Well, in only a couple of hours, she called me.   Like nothing was wrong, like no time had passed with that insipid "sing-song" quality in her voice that women use when they can't admit they've totally fucked up.  "Oh, hi! Joe!  Hi--eee!   How are you?" 
"Fine. Carolyn.   What happened to you?   You know I've been trying to reach you.   You said you'd call when you got back."
"Well, Joe, you know how sometimes, you need some alone time, like, you know, you need time just to be alone, and, I'm sure you understand, that I've been in a place where I needed to be alone, just like, you know some alone time and I needed.. . "
"Yeah! Carolyn, I get it!   Alone time.  Right."
"I knew you'd understand."
"Yeah, well, okay, do me favor.  When you think you may want some company give me a call, okay?  Thanks."
"Oh, yes, definitely.  Joe."
"Good-bye."

So, that was the end of Carolyn.   She made sure to steer clear of the health-food place.   I took it rather hard, to be honest.   Much harder than I thought I would or should.  This one really hurt.

* * * 

Months later, Janelle came over to me at the restaurant and said, "Joe, Carolyn mentioned you today."
"Really?"
"Yeah, she said that she thinks you're mad at her."

I thought for a moment.

"Janelle, do me favor.   Would you do me a favor?"
"Of course, Joe, anything."
"Okay.  Would you tell Carolyn this, and it has to be exactly the way I put it, okay?    Can you do this for me?"
"Sure.  What do you want me to say?"

"Tell her: 'Joe asked me to ask you in these exact words, Carolyn, what color is the sky in your world?'  Do you have that Janelle?  Have you got it?"

"Yeah, Joe. 'Joe asked me to ask you in these exact words, what color is the sky in your world?'"  

"Thank you, Janelle."

I was told that Carolyn did not respond well to that question.  



INGRID AND THE CAFE




In The Cafe


Ingrid stirred her coffee indifferently, and without knowing it, I could no longer avoid staring at her hand, focusing with undivided attention on its irresistible motion.   The tips of three fingers did all the work ( as if she were drawing circles with a pencil), her wrist held just above table level.   It was a picture of the supreme economy of motion, no wasted energy, no excess movement.   It seemed effortless and graceful.   The longer I stared the more my mind wandered, experimented with the image.  Soon, the noise of the cafe became a meaningless din of people, their tables blending into the blackness of the walls behind them, and the objects on our table became blurred and indefinite.   While waiting for Ingrid earlier, before she arrived, there was nothing that attracted my eye or held my attention in the haze of cigarette smoke, food, garbage, varieties of teas and coffees, and the myriad of brands of cheap perfumes that hung in the air.  They all joined together to produce an elusive, indefinable and disturbing smell, seemly and unpleasant really.   My ear could only catch snatches of conversations, a word here or there, garbled from all directions, of varied pitch and volume, none with any meaning.   For the eye there was the movement of waitresses, constant and rapid, but going nowhere, and the customers, entering, leaving, and the occasional motion of an arm in some gesture, or a leg crossing or uncrossing.   But nothing really "moving," the eye remained unsatisfied and bored.   Over all this enemating from some invisible source, was some kind of music, or what was supposed to be music, or what should have been music.    What did I hear?  A beat, a bit of a melody, a rhythmic patter?   Did matter.   No.   (But it should have mattered.   It should have completed a portrait of the scene, making us more than we were making this moment more than it was, rich and alive.    But it didn't.   It couldn't.  This music was not supposed to inform on who we were, on what our society was.   It was just there, somewhere, somewhere in the mess of sounds, empty and pointless.)   Together these sensory elements combined to create a rather unsettling atmosphere, oddly sedating, but unwelcome, like that of an unexpected or bad reaction to some drug.  

But now, I only saw her fingers, the motion of those beautiful, graceful fingers that held some object, round and round, her gentle, sweet, caressing fingers. . .

Fortunately, she stopped, and forced everything else to "reappear," to me.   It was jarring and I hoped Ingrid hadn't noticed.   Of course she hadn't.  She hadn't noticed that I stopped listening to her for several moments as she spoke.  I suppose she was in her own little separate place.  I was able to make sense of that last sentence, which was a question, and so I answered it.

"No, I have not seen 'Fitzcarraldo,' yet but I intend to."    And so she was happy.  I was not.  I had to end this absurd, irrelevant conversation.   I had asked her to meet me here for more important reasons.   I was determined to get some grasp of what was going on between us, between her and her ex-husband, but most of all, what she wanted of me.  Sex, I hoped, of course, being a rather shallow person, and male.   Maybe that's all I wanted from her.  I wanted to ravage her.  

"Ingrid, how are things with your husband?"  I surprised myself with my own directness. "The last time I saw you things were kind of bad.  Do you still see him?"

In one long, agitated breath Ingrid responded, "Oh, yes, I saw him today, in fact, -- he seems much better, much better-- I don't think he's drinking anymore--he was much nicer to me, he has been seeing a doctor and he's much better, it's strange, yes?-- he wants to have another child, well, I'm just not ready for that besides, my God, we don't even live together anymore and -- but -- "  

With the rest of her monologue becoming more and more indiscernible and contradictory I stopped listening.   Ingrid herself how, finally, began to fade into the strained, unpalatable fog.   What am I supposed to make of this woman?  She nearly begged me for a date, lavished me with compliments and physical affection, repeatedly asks to see more of me, but now speaks of her husband as if there was some kind of imminent reconciliation.   Why not?   The bastard only beat her regularly.   So what? 

I could tolerate sitting there no longer.   Convinced there was no reason to stay and that Ingrid was a bewildered, lost woman who didn't know what the hell she wanted from life, probably never knew, maybe never knew who the hell she was, I had to get away.  I wondered if I would continue to seek to be with women who seemed only to want more punishment from men, not love, not laughs, not at least, affection.   I  seemed to find women who wanted only drugs, alcohol, cigarettes and an occasional beating.  I knew there were women out there who didn't want that.  Why were they so hard to find?  

And so, I became cold and indifferent to this beautiful women before me, and feeling myself getting more and more anxious could now think only of leaving.   I signaled the waitress for our check.  She brought it and as I paid I apologized to Ingrid, saying that I had to rush off to a lesson and could not afford to lose the money it would earn for me.   She thanked me warmly and whispered, "Will you call me?"  I lied.   Then she stood and kissed both my cheeks.  I turned, quickly, leaving her in that noisy, odorous atmosphere that created the particularly confused din of the cafe. 




Tuesday, August 7, 2012

The "Who am I?" Game

Who am I?

I am tall and I wear a stovepipe hat and beard.   I freed the slaves.

Who am I?

I discovered America for the West, and made the world round for it.

Who am I?

I sang and women wept, men thrilled, at the Metropolitan Opera.   I am still remembered though I died more than 90 years ago.

Who am I?

I penned great poems of mystery and stories of the macabre and grotesque.

Who am I?

I loved many women, especially in Venice, and wrote my memoirs, which are still read today.

Who am I?

I have done nothing that anyone will remember;  no one will recall me, my name.  My passing will go unnoticed, and  no one will mourn my loss or seek to know who I was.

* * *

ANSWERS:

Lincoln.   Columbus, Caruso, Poe, Casanova.

Wednesday, August 1, 2012

Good-bye, Juliet.

Waitresses should be prohibited from speaking to the people they serve.  They should simply take the order and leave.  Then bring the food in silence.   Any questions or remarks about the food she may have must be written on paper and answered thus.  No verbal communication at all.  

The purpose of these rather draconian rules is is to protect innocent dupes, the romantics, and other fools who fall in "love" too easily and quickly because it is far too easy to fall in love with your waitress.  I know.   I do it all the time.   And it always ends the same way.    Painfully.  

So, when Juliet arrived at my favorite diner I should have known, I should have been prepared and protected myself.   Yes, I should have known better.   But didn't.   I was easy prey for her charm, her beauty and her feigned (I'm sure) interest in me.  They do work on tips.    So why not appear friendly, even overly?  We all know it makes for better tips.

But why do they have to be so beautiful?   Juliet could easily be a huge star.   She looks like something out of an Italian movie circa 1958.   Full thick lips, long black hair, full thick body, perfectly formed, full, thick breasts, full thick. . . you get the point.   And those eyes, oh my God.  And those legs.  . .  So beautiful.   How could one NOT fall in love?

So, I did.

Then, it came.   She wore her ring for the first time.  Like a knife in the back.  My foolish heart. 

Now, I must stop going to the diner for a while.   It's too painful.   When I was young I could bounce back more quickly, there were so many opportunities.   Now, there are few and far between.

Good-bye, Juliet!

Tuesday, July 31, 2012

My Friend, Mr. Goombats

___________________________________

Mr. Goombats,
He lives in a box.


Westfield, New Jersey, 1993

Pretty stupid poem, right?   We were so stupid as kids, we didn't realize (or care, maybe) that it didn't even rhyme.   Somebody said it, we all laughed and it became a classic poem.  Stupid kids. 

Hello, everybody!   I'm Tony Carlino, and  I'm talking into a microphone my grandson has cause  he wants me to tell stories about when I was young on the Lower East Side.   But I told him not to bother me.   But he begged me, so anyway, I'll  tell him the story of Mr. Goombazza.   That's pronounced Goombats, with a "ts," at the end.  G-O-O-M-B-AH-T-S.    His real name was Carlo Goombazza, but nobody said it like that that I ever heard. 

So, Mr. Carlo Goombats.   That was a long time ago, but not really.  Well, I suppose for you it's a long time ago but not for me.   When you get older time is different, the years all compress into one big, uh. . . it's all the same, almost.  Twenty years doesn't mean the same thing now as it did when I was forty.   But why am I talking about this?   Sorry. 

Anyway, the story is like this:  Mr. Goombats came to 5th Street around 1925 he was about forty years old by then.  He got checks every month from the government because of something that happened to him during the war.   But he also worked, small jobs here and there, off the books when he could.   One day, he was unpacking a new bureau or dresser or something that came in a huge cardboard box.   He liked the box more than the dresser.   He was trying to put the box on top of the closet shelf so he took a ladder and climbed up.   Now, I'm not sure, exactly how this happened, I wasn't there, but they say he fell and was knocked unconscious and the box fell on top of him.   When he woke up he started screaming because he thought he had been buried alive and was in his coffin or something.   My mother came running in and saw him furiously trying to untangle himself from the box, still screaming.  All she could see were legs and arms flailing about.  She screamed, "Mr. Goombats!   What are you doing?"
"Hah?   Who's that?   Who's there?"   he shouted, like a lunatic.
"It's Mrs. Carlino, Mr. Goombats!  Please, calm-a yourself down!"  My mother slipped into a thick Italian accent or even into Sicilian when under stress.
"Signore Goombats!   Dio mio!"
"Help me!" he shouted, as if were about to be eaten by a wild animal.  "It's killing me!  I can't breathe!"
"Oh! Dio!"  My mother ran to get my father, who came in and picked the box up off Mr. Goombats.   After he calmed down, everybody had a good laugh.   Including me who had run in with my father.  Except for a small wound on Mr. Goombats forehead, there didn't seem to be any damage.   So, we went home and, Mr. Goombats left the box right where it was and went out to Vidool's Cafe for a nice espresso. 

I don't know what happened after that, but, little by little, more and more, Mr. Goombats would be inside the upside down box, napping, reading, or listening to the radio.   My father would say, "Mr. Goombats, what are you doing in there all the time?"   He'd come out of the box and say, "I don't know, it's nice in there."   Then they'd have a normal conversation.  

Most of the time was spent reading.   He set himself up nicely with a pillow and a thick blanket under him for the hard floor.  He had a kerosene lantern which gave him plenty of light for night reading.  During the day he read and napped in the box.   He cut open two small "windows" in two sides of the boxes for ventilation and to enable him to see the rest of his apartment, in case someone came in.   In those days people were always going in and out, visiting, borrowing things, or just passing by to say hello.  During the hot summer months he would put the box out on the fire escape.   No one bothered him.  Most people didn't even notice him up there.    

That was the thing about Mr. Goombats.   He was so normal and nice, sometimes he did such great things, but then. . . well, he liked to spend time in that box.   And, as time passed he spent more and more time in it.   But he, himself, changed very little.  He remained kind, jovial, and always there when you needed him.   And by, "there," I mean generally, in that box.  

"It's nice!   I feel cozy and safe!   Johnny, come in!"

He would invite all the kids (and grown-ups) to visit him in his box.   Some kids were afraid to go in, but Vinnie "Peanuts" and me, (how Vinnie got the nick-name is a long story)  we weren't afraid.   We liked and trusted Mr. Goombats.  

At first, inside the box was fun, me and Vinnie played all kinds of games in there.  Like boys do.   But after a while it got boring.   Plus,  Mr. Goombats started to fix it up in there.  Like, he added a rug, hung a couple of pictures, and things like that.   It was like a dog house for a grown-up, if that makes sense.   In the winter, he covered it with a thick blanket and slept in there at night.   All night.   It was kind of smart because in those old tenements there was no heat most of the time and those apartments were drafty and freezing cold.  I hate to think how many babies did not survive their first winter.   A lot.  That was the saddest thing about life at that time.  

* * *

Mr. Goombats, as I said, enjoyed reading.   More than that you could say, how they say, he was an avid reader.    He read a lot of books about history and philosophy, but he also read novels and biographies.     Sometimes, he get these books from Reader's Digest,  "condensed books."    There would be four novels in one book!   He thought that was the greatest thing ever.  

 Most of what he read was in English so he really improved his vocabulary.  He was always using words that nobody understood.   That was okay.    But sometimes he invented words.  Well, I don't know if he invented them, like, he knew they were not real words, but I think it just misused real words and turned them into fake words.   There's a comedian that does that but I don't remember his name right now.  

So, he would say things like this:  "Oh, that Mr. Garrity!   He's a drunk.   And very punctious."    What he meant by that, nobody knew, and nobody wanted to ask.   But after I while, I started asking.   Part of the reason I think he used these words was to improve our vocabulary that is, the kids of the neighborhood.   Other times I really believe he just wanted to make us laugh.   He loved that.    But he was always teaching us new words.   We didn't really learn those new words, but the words he made up, those were sometimes hilarious, so we always remembered those.   

He took me to the tobacco store with him one day to see how they make the cigars.   Mr. Pontevechhio, the cigar man, always had a cigar in his mouth, of course, was a short, gray-haired man, and really skinny. 
"Hey, Signor Pontevecchio!   How do you stay so skinny?" Mr. Goombats asked.
"I just eat right!  Vegetables, fruit, you know."
"Very perspacious of you!"
"Wha?"
"You're diet is witsome and very healthtious."
"Ah.  Yes, it sure is," said a befuddled Mr. Pontevecchio.  "It sure is." 

Fortunately, he did not do this too often, and then he stopped trying to impress everyone because no one understood him half the time!  Ming!  What a nut!

* * *

What else?   Oh, the guy loved animals.   He was always taking in stray cats or taking care of the cats and dogs that wouldn't come into his house, and he'd find good homes for them.    He would go 7th Street park and feed the sparrows and other birds little bits of crumbs.   In the winter when food was scarce, especially after a snowstorm, he would tramp through the heavy snow with a big bag of crumbs and toss it out onto the snow.   The birds loved it.   I think they actually got to know him.   Not the pigeons, however.  He hated pigeons with a passion.    He'd be sitting there, so peaceful, so kind, feeding the sparrows and starlings and robins but if a pigeon landed he'd jump up off the bench about five feet in the air and start screaming,  "Bah!  You son-of-a-bitch!   Get outta here!  Gaah!" like they were criminals or vermin, scaring away all the other birds at the same time.  

But for the most part, there was no animal he didn't really love.  And if you had a pet, he would always come by and visit it.   One of our friends,  Nick the Greek kid, had a little dog, I don't know what it was.   When it got sick, Mr. Goombats paid the vet to come to the house to see him.   Made him all better.   That dog loved Mr. Goombats, whenever he was sitting on a bench in the playground and the dog came by, oh, Maddona!   The dog would go crazy, unless he was allowed to run to Mr. Goombats.   Oh!   One day, Mr. Goombats is coming home from the store, he's about to cross Second Avenue and what do you think?    Nick and his dog is crossing in the opposite direction.   The dog sees Mr. Goombats, gets loose and darts into the Avenue.   This big truck is coming and Mr. Goombats, he was crazy, he runs into the street, grabs the dog, throws him to the sidewalk and bang!    What do you think, he gets hit by the truck.     Well, everybody started screaming.   When I came running out of my building I thought he was dead, I started crying like a little baby.   I was screaming, "Don't die, Mr. Goombats!  Please don't die!"  Madonna, I was so scared.    Not just me but Vinnie Peanuts, too, Nick and I think the dog was crying, too.    But the cops came and took care of him and took him to Bellevue, they said he was okay, but I just couldn't stop crying.   Me and Vinnie and Nick wanted to go in the ambulance with him but they wouldn't let us.    and he lived.   That was the first time he was in the newspaper.  



* * *
In 1931, I was ten years old.  Same as Vinnie Peanuts.  It was Christmas time and me and Vinnie, you see, really wanted bicycles for Christmas.  Some of the other kids on our block had bikes.   We were so jealous.   They would let us ride them, but you know, it's not the same as your own bike.  

But Vinnie and I were smart for our age, we knew that the way things were going with both our Pops out of work so often, bikes were not going to happen.   So we settled on other things, things we knew we'd never get either but it was fun and we couldn't help it.  Last Christmas we got socks and a couple of warm shirts and believe me, that was great.  But a bike. . oh.  

One day,  Mr. Goombats said, "Hey boys!   Let's go to Heshey's (a toy store on Clinton Street) and see what Santa's gonna bring you!"   My mother objected but good Mr. Goombats he insisted.   So we snuck off to Clinton Street without my mom's knowing it.  Heshey's was a great store, big and just crammed with all kinds of stuff, not just toys, he had everything.   But lots of toys and games.   We walked through the store and Mr. Goombats kept saying, "So, what should I tell Santa to bring you?"   He thought we still believed in Santa and we let him believe it.  
"How about those skates?" he suggested.    We had skates, that is, we shared a pair.  
"Hey, there's a nice baseball glove like Tony Lazzeri uses!"  
I had a glove and Vinnie had two.   We found them in the garbage good as new.  (Vinnie and I didn't want to think about why there were three gloves in the garbage pail in front of a tenement on 4th street.   We knew it had been a rough winter).

Suddenly my eye was fixed on a model sailing ship, you know, like from the old days, the days of the pirates.  
"Mr. Goombats!    Tell Santa I would really like one of those model pirate ships!"
"Oh, yes, very good choice, very educational, very beautiful, too!   My dad was a sailor you know.  I love the sea myself.   Never been on it but I read about it a lot, and. .."
"Thank you Mr. Goombats!"    Vinnie Peanuts chose six-shooter cap gun. 

These were really nice but nothing could have compared to a bike.  But I was happy about the pirate ship.   Really.

Christmas morning came and what to you think?   Out in the hallway, (there wasn't room in the house)  Mr. Goombats starts yelling, "Oh, my God, I don't believe it!  Look at this!"

Well me and Vinnie Peanuts, he lived right above me, we knew what was up.   We were supposed to go out and see the Pirate ship and the gun and jump up and down and yell, "Yay!  Santa!" or something like that.    So, out to the hall I went and my lower jaw dropped to the floor.  

"Vinnie!!" I screamed, "Vinnie Peanuts!  Come and look!   Come and look!  Vinnieeeeeeeee!"   Well, poor Vinnie practically rolled down the flight of stairs and then he saw them:  two  beautiful, new, bright blue bicycles!   We started jumping up and down and hugging each other, screaming, "Yeah!!!    I don't believe it!   Oh, boy!!" 

And Mr. Goombats, he stood there holding his head in his hands, and yelling, "That stupid Santa brought you the wrong gifts!   I'm so sorry!"   Well, neither of us knew what he was talking about, but my mother did, and she started to cry.   Pop came out and he cried too.   Never, I don't think, had they ever seen their son more happy than at that moment, or since that moment.  I don't think I've ever been that happy since.  Thank you, Mr. Goombats.  Boy, did we enjoy those bikes. 

* * *

I mentioned that Mr. Goombats' father was a sailor.   He worked on a tug for a few years in New York harbor, then he joined the Navy during the Spanish-American War.  He was killed in some kind of battle just off the coast of Cuba, near Havana.    He was listed, I think he still is, as "missing in action."    Mr. Goombats was only about 10 years old and although he didn't see his dad much he loved him a lot.   He still had a picture of him, on the wall in his kitchen.   It was of his dad in his Navy uniform.   It was his prized possession.  

His mother, still a young woman, re-married a few years later to Enrico Bollino, a prosperous butcher on Grand Street.   They lived pretty good for a long time, I mean the butcher shop made a lot of money, and the husband and wife really got along well.   Mr. Bollino seemed to have been very generous with Mr. Goombats, but after a couple of years Mr. Goombats moved out.   He was becoming an adult now and he knew that both he and his mother needed privacy.   He lived in various parts of the city, working odd jobs here and there, then he moved to the 3rd Street and worked part time for Mr. Goldenschantz,  at his metal shop on Great Jones.  He lived there a long time, then he came to my building on 5th Street, which was one of the best blocks in the whole Lower East Side.  Really.  Or, maybe it just seemed that way to me.   You see, we were very happy there.   My happiest years, in fact.   And even though we were poor at times, we were never, how do you say, poverty stricken.   There was always good food on the table and I always had good clothes to wear.  Neighbors were friendly, you knew everyone, and we all looked out for each other.  There were lots of other kids my age, there were always children playing in the street, (until late at night in the summer) and we always felt safe, any time of the day or night.   We were safe.   I mean, good Christ in heaven, what else could you ask for?

Anyway, wow, once I get started. . . eh, Mr. Goombats he moved in when I was very little, like 4, so I always remember him being there.  He, and other neighbors, were really like members of an extended family.  Like uncles and aunts and cousins.    And some, in fact, no joke, we acutally called "aunt" or "uncle," out of respect, especially if my folks knew them from their town in the Sicily.   There was Uncle Calogero, (there's a name you don't here anymore) and Aunt Rosa, like that, they weren't really related but they were so close as friends that they were better than a lot of real aunts or uncles.   Oh, Christ what great times we had with them and their kids!   


Oh, my God, Mr. Goombats, I was talking about Mr. Goombats!    So he moves in he's about forty years old.   I asked him one day why he didn't have any children, any wife.    He said that he was too busy learning about the world and trying figure out what he was going to do, to be.   Then, the war came.  He volunteered for the Navy, but they rejected him for some reason.   Then he volunteered for the Army, and they took him.   He didn't see a lot of "action," he said, but enough to make him hate war forever.  

"War is evil," he used to say, "Don't let anybody tell you different."  

So, anyway, he had no wife and no kids, but seemed happy.   Not that he didn't go out with a woman every once in a while.   He was actually a pretty good-looking man my mother seemed to think, and always hoped that he would get married.   She was always "setting him up," so to speak, with friends, or even her own sister.   Oh, my God, what a disaster that was.   Her big, fat, disgusting, sister Grace.   Oh my God.  

My mom invited Grace for a Sunday dinner.   She was, at the time, about thirty-eight years old and unmarried.     She also invited Mr. Goombats without telling him about her sister, whom he already knew quite well.   She was always around.   So it was really kind of silly to do this surprise thing like it was a "blind" date, as they say. 

Anyway, I remember that day like it was yesterday.  My mother was a nervous wreck.   "Paolo!" she yelled at my father.   "Put on a clean shirt!"
"What's wrong with this shirt?"
"That's not a shirt, it's an undershirt!   What's wrong with you?" he practically shrieked, her voices going up several octaves.
"But it's clean!"
"Oh, Dio, I'm gonna explode, my head, it's gonna explode!"   My mother's head was always about to explode.    "Put on a real shirt!   Like people wear for Sunday dinner!"
"What's so special about today?"
"Oh, Dio mio, I told you Grace was coming over."
"So what?   She comes over all the time."
"Yes, but so is Mr. Goombats."
"Oh, know. . . you didn't. . . you aren't. . ."

The doorbell rang.

"There she is!!   There she is!" my mother repeated over and over shaking her hands like they were on fire.    "Go put a shirt on!!"   My father got a nice clean white shirt and red tie.  

"Come in Grace, how are you?"   They kissed.    "Johnny!   Come an kiss your Aunt Grace."

Grace handed me a box of pastries.   I put them in the icebox, and went and sat at the kitchen table.  

"Mmm . . .they sauce smells good!"   said Grace leaning over the stove.   She took a loaf of bread off the shelf and broke off a piece that would have choked a horse.  
"You know I can't resists your sauce."    She dipped in this huge piece of bread, practically up to her elbows and started eating it.  

Grace was sort of given the wrong name, if you know what I mean.  
"Don't spoil your appetite!"  my mother warned.
My dad entered with his shirt and tie on. 
"Grace, hello!" he couldn't help notice the bread soaking with sauce and the sauce that was now all over Grace's face.   "You sure you got enough sauce there?" Pop said.   
I snickered at the table, and my mother shot me a look.    She handed Grace a napkin.
"Here Gracie, there's a little sauce on your. . ."
"So, who's coming?" asked Gracie, her mouth filled with food.   
"Mr. Goombats." My mother was so excited. 
"Oh," said Grace.  "He's so good looking." 
"Yes he is!   Can you imagine, a man like him, not married and so good looking, and they say he's got a lot of money, too."

Grace shoved the last of the bread in her fat ugly face as the doorbell rang. 

"There he is, there he is!"
"What are you getting so excited about?  He was here this morning."
"I know but now. . ." 
Mom opened the door and became Loretta Young.
"Oh, dear Mr. Goombats, do enter."
Mr. Goombats had a shopping bag filled with stuff including a large bottle of Chianti.

"Hey!  Grazie!   Grazie tanto!" shouted my dad, who loved Chianti. 
"Benedica tutto in casa!" Goombats said, offering a blessing. 

My mother, still acting weird, said, "Mr. Goombats, I believe you've met my sister, Grace." 
"Ma, certo!   How you been Grace.  Haven't seen you since, what, Wednesday, at the church?"

"Oh, yeah!" said Grace,  "I think. . . "  she interrupted herself with a loud belch. "Oh, excuse me!" 
Mom laughed awkwardly. 
"Okay, let's open the wine," mom said, "and have a toast!"
"Oh, I don't know," said Grace, "wine gives me such gas!" she said, laughing.  But it was true, believe me.

Dad obliged and filled some glasses, even mine, which he then mixed with water. 

"Salute!" my father said. 
"A salute!"  everyone else said, drinking a bit of the grape.

"I'd like to make a toast!   I'd like to make a toast!" my mother said.  "To new beginnings!" she said with all the seriousness of Eleanor Roosevelt. 

Well, we really didn't know what to make of it, so we toasted anyway.

Dinner was going well enough although Grace started to get a bit sloshed during the roast chicken.  She was telling us about her foot problem, when she started hiccuping, badly and loudly.   We couldn't help it, but it was really funny and we all had to laugh,.  She laughed too.   But then,  she dropped her napkin on the floor and bent over to pick it up.   She let out the loudest fart I've ever heard.    It could have been a gunshot, for all I knew."  

"Oopsie!" mom said, practically passing out.
"Oh, my. . .excuse me," said Grace, belching and hiccuping at the same time.   Then, for her grand finale, she let out tremendous volley of anal gas, even louder, than the last one, at the same time as she belched and hiccuped. It was a feat of incalculable proportion.  I couldn't take it.  I was going to pass out trying to stifle my laughter so I ran out of the room.    My mother died a little at that moment.   

I don't recall how we got through the rest of the dinner, with her continued bombing and her ridiculous, "Oopsie," comments.  But we did.  Finally, we got to the coffee and anisette.   I think we all said a silent prayer that Grace would not touch a piece of pastry, but no, she ate half the cheesecake herself.  It was a gruesome sight. 

Mr. Goombats thanked us, and made a quick exit.  Grace was already asleep her head on the table, still bombing away.

My mother never had Grace over again.   I'm not sure she ever spoke to her again. 

* * *

Mr. Goombats did well with the ladies, it appeared.  He could often be seen with a woman on his arm of a Saturday night, walking on Second Avenue.  But none of them ever lasted.   We wondered if it had anything to do with the box.  

One day Vinnie and I saw Mr. Goombats coming with a really nice looking woman, walking toward the house.  
"Vinnie!" I said, "Let's hide in Mr. Goombats house and see what happens when they get inside.   He'll never know that we're in there.  Then we sneak out when they leave!"
"Let's go!" shouted Vinnie Peanuts.  

Nobody locked their doors back in those days so we just walked into Mr. Goombats house and ran to his box.    What we saw in there we couldn't believe.   It was beautiful.   Like a little house.  Pictures on the wall, tiny pieces of furniture, a tiny vase with a couple tiny flowers in it.    No wonder he liked it so much in there.

"Here they are!" Vinnie whispered.    In came Mr. Goombats and Mrs. Glassberg from Tenth Street.   She was a widowed dressmaker.   Very lovely. 

"You have a lovely place here, Signore Goombazza." 
"Please, call me Carl."

They sat in the living room.  He served blackberry liquor and cheese and crackers on the coffee table.   I think they must have just had dinner.  

They talked a bit, about many things.   Then, he said it.  It was unbelievable.

"Would you like to come in my box?"   

Mrs. Glassberg's face had an expression on it that I had never seen on a person, before or since: a bizarre mix of bewilderment, fear, confusion and doubt of what she just heard.   It was amazing.
"Excuse me."
"Would you like to see my box?   You must be curious, no?  I think you'll like what I've done with the interior."
"Of your box?"
"Yes."
She began to swoon.  "Oh. . . oh.. ."

"Mrs. Glassberg, are you all right?" 
"I. . . I think I need some air. . ." she whispered. 
"Yes, yes of course," he helped her stand and they walked out together.  

Well, that was the last anyone had seen of Mrs. Glassberg.  We heard that she moved to the Bronx. 

* * *

One day, Vinnie Peanuts and I were talking to Mr. Goombats.  We were in his kitchen and he was just off the kitchen--in his box.    He said, "Why don't you kids go outside and play?   It's a beautiful day, you should be outside."
"Well, we like it in here, you got so many interesting things."
And he did, all kinds of pictures and postcards on his wall.  All of them from either the old country, that is Sicily, friends and relatives he hadn't seen in many years, or, mementos of his step-father, Mr. Bollino, the butcher and his family.  

"I know, I know,  you like the pictures, but you're only young once, and it's not healthy to spend the whole day inside!"
"But you are inside and it's a beautiful day." 
"Oh, no!  I'm going to play bocce later."
"Can we come with you?"
"Sure, let's go now."

So, off we were to the bocce courts on Houston Street, where we met all of Mr. Goombats' friends.   They all called each other by name but in an funny way: they were all, "Mr." followed by their first names.   So, there was Mr. Patsy, Mr. Sam, Mr. Nyats.  Oh, yeah, that last one.   Seems his real name was Ignacio (pronounced, "een-nyats-eeo") but very quickly.    Ignacio got butchered into 'nacio (nyatsio) and then, simply, Nyats.   And it was said very very fast, so, if you listened very carefully you might hear the actual name slip through, Ignacio.  

"Hello Mr. Nyats!"
"Signor Carlo, come sta?"
"Mr. Patsy," with the accent on the second syllable.
"Mr. Benny!   What time we gonna play?"  
"Hey, Mr. Carlo, you still sleeping in-a da box?"  And so on.

We watched the old men toss the ball, some with great accuracy and some with great inaccuracy.    But every throw was accompanied by some sarcastic  comment usually in Italian, and usually quite funny.    I wish I understood them all.

After a particularly bad toss by Mr. Nyats, a particularly good player, Mr. Goombats said, "Aye!  Che fare?  Ma, che fare?   Voglio vicere questa gioco!  Ha capite?  Ma, cosa pazzo!"  And, of course, everyone laughed.   ["What are you doing?  What are you doing?  I want to win this game.   Do you understand.  What a nut!"]

Then, it was Goombats toss, one of the worst tosses ever seen. 
"Dats it!  I give up!  Here, Mr. Patsy here's your fifty cents, how can I win this crazy person as a team mate?  Eh?"   And everyone laughed.  

Mr. Goombats had the last laugh when the team had a chance to win and Mr. Nyats made another especially bad toss to end the game.  
"Ma perche non gioco la calcio?  E perfetto per te!  Va!  Va giocare la calcio!"
["Why don't you go play soccer?   It's perfect for you?  Go ahead, go play soccer."]
An excellent taunt showing no sportsmanship whatsoever.

And we wonder why Sicily was never a world power.  

But I'll tell you this: the most important thing for these guys was fun.  Most of them had had miserably difficult lives to this point, coming from desperate situations in the old country.   Some faced near starvation, some of them actually saw members of their families starve to death.   Some worked in fields all day and slept in the stables with the horses at night.  Some left loved ones behind for several years before saving enough money working for pennies a day,  digging ditches in the snow, rain, and searing heat.   So making a bad toss in bocce?   There was nothing to do but laugh.   Life was too good now.   They were in America.   In New York.   On Houston Street.  Life was good.  And nothing would bring them down again.

* * * 




* * * 

One day, he came banging on the door of our apartment.  

"Mr. Carlino!   Did you hear?   The president wants to go to war with Germany!   War!  Can you believe it?   What for?   What did Hitler ever do to anyone?"

"Mr. Goombats, sit down."

They discussed the situation.   It became obvious, even to Mr. Goombats, that war was inevitable.   It was the first time I ever saw Goombats cry.  It would not be the last.   But what could he do?   Hitler had to be stopped.  That much was clear.

And so, we all did our best.  I was about to join the Army Air Corps, when I was stopped by Mr. Goombats, who was sobbing.  
"Johnny," he said, "don't do it.   Don't go.   You're like a favorite nephew to me, if anything happened, I couldn't survive. Please, find another way.  Please."
"Mr. Goombats, you know I have to go.   Vinnie and I are going together.  I'll be alright.  I promise.   Flying in a plane is not so dangerous as being in the infantry.   Don't worry about me, please.   Just say a prayer, and it will all be taken care of." 

We embraced.   He held me tight.  I think I just realized now, sitting here today, talking into this stupid microphone, how much that man loved me.   That crazy old guy, I loved him to. 

* * *

The war ended, and Vinnie and I returned, remarkably, on the same day.   There was a party on the block.   Mr. Goombats hired a small band, lots of food, and plenty of wine. He danced with everyone.   I danced with Maria Cellino.   It was the first  time we met but we both knew we were meant for each other.   I guess I have Mr. Goombats to thank for that, for forty-seven years of a beautiful marriage, three kids and six grandchildren.   I wish Mr. Goombats could have lived to see all of that.   But he saw a lot. 

* * *


As the years went on word began to spread about Mr. Goombats and his box, it even got mentioned in the Daily News.   They had a reporter come down to photograph Mr. Goombats and his box who, by that time brought a small typewriter and had begun writing.   He must have written to the paper, who knows?

He starting writing more and more.  He wrote a lot of letter, hundreds of letters to just about anyone and everyone, presidents, royalty, and celebrities of every kind.   He wrote to Babe Ruth, from whom he received an autographed picture.   "The Babe," promised to come visit him one day, but never did.    He wrote to philosophers, statesmen, poets and writers around the world.   And he received many responses.     Letters to and from everyone from Ghandi to Joe DiMaggio.  He had a heated debate with Albert Einstein over a ten year period about the nature of God, spiced with filthy jokes.  He also took Casey Stengal to task for his "platoon," system.   "Either the kid can play or he can't," Goombats wrote.  Casey wrote back, "I agree but not when you're not in the wrong but not in the right or the ballplayer has enough hits against right-handers. Sincerely, Casey."

Many were curious about this man who lived in a box inside another "box," so to speak.   The military expressed interest in the box for it's possible application for troops.  One day, a member of General Patton's staff arrived to visit Mr. Goombats.   Mr. Goombats promptly threw him out onto the street, screaming, "Fascist!" as the guy ran down Second Avenue.    This incident was also mentioned in the newspaper and made Mr. Goombats even more well known.   He had become a kind of celebrity.    He was even quoted by a Senator during a session of Congress.   Something about two boxes in every home, or something.   It was not a very good paraphrase, and Mr. Goombats never actually said it.

* * *

Unbeknown to Mr. Goombats, Pop and I purchased a big TV for him.  It was 1954 and everybody was getting one.  And Mr. Goombats, spending more and more time alone in his apartment, we thought it would be good for him to have a television.    While he was out, we pushed it in and arranged it so that he could watch it from inside his box. 

Oh, what a great feeling it was the first time we heard Mr. Goombats laughing out loud at what he saw on the television.   He watched all the comedy shows, his favorite was Jackie Gleason.   But during the day, he wrote.   He wrote stories, essays and letters to just about every newspaper around the world.  He had a phone now, too, so he could call and talk to anyone anywhere. 

One day, a limousine pulled up in front of the apartment house.   This was in about 1959.  A tall, thin man came out of the limo.  He looked familiar but I wasn't sure who he was.   I was standing in front of the building, and he walked right up to me.  

"Is this the home of a Mr. Carlo Goombazza?"
"Yes, it is."
"Would you know where can I find him?"
"Apartment 9, second floor." I said, "Excuse me, sir, but who are you?"
"Arthur Miller," he said.
"The playwright?"
"Yeah."
"Oh my God.  I don't believe it.   You're here to see Mr. Goombats?"
He started laughing.   "Is that how you pronounce it?"
"Oh, yes, we often leave off the last syllable.   An Italian thing."
"Yes, I know." 
Suddenly, the window of the limo lowered and a high pitched voice called out rather meekly.
"Honey, this is not going to take long, is it?"
"No.  I'll be right back."  He ran up the stairs.   In the meantime I was staring at the window thinking, "No.  It couldn't be.  Stay calm, boy.   Stay calm."   Then the window came rolling down again and Marilyn Monroe's head stuck out. 
"Excuse me sir!" she said.    Oh, God in heaven she was talking to me!
"Yom-a, ye, yes-sha! Yes," I think I said. 
"Would you mind telling Mr. Miller that I'll be back in about an hour."
"Shu...sha... yee-ha, ye, yes, oh courso!  Ya ho.  Holm!" 
"Are you alright, sir?"  Marilyn asked.
"Hockma!"   I ran inside.  I acted retarded in front of Marilyn Monroe!   I acted like a freakin' retard in front of Marilyn, I repeated to myself, as I pounded my forehead with my fist.   Marilyn!  

At any rate, Miller and Goombats laughed and talked for about 45 minutes.   Apparently, Mr. Goombats had written to Miller about one of his plays and Miller was so intrigued by what he wrote that he felt compelled to come down to a tenement on the Lower East Side to meet him.  

That was Goombats.

* * *

It was the 1960's and the neighborhood was changing quickly.   Most of the old friends were gone, moved to Brooklyn or Jersey, or Long Island.  The city was becoming very dirty and unsafe.   Maria and I, and Mom and Pop decided it was time for us to go too. 

Mr. Goombats was, by now, closing in on eighty years old.  We were worried about him, even though he was still spry and took care of himself.   One night he was mugged and left bleeding on 4th street.    We begged him to come with us.   We were moving to New Jersey, and we could have purchased a house with an attached apartment just for him.

But he refused.   He didn't want to be a burden on anyone.  I tried to tell him he would be relieving a burden.  I wouldn't have to worry about him.   But it was no use.  He wasn't leaving his apartment.   The apartment that he had lived in for so many years; that held so many memories; that was his home. 

* * *

So, for the next ten years, we would drive into the city once a month without fail and visit.  It was always great to see him.  And he always looked well.  He kept busy, he said, with his writing, and watching TV and he claimed, there were still women.   Who could doubt him?

* * *

The phone rang late one night in 1981.   I knew what it was before I answered it.   In fact, I couldn't answer it.  I just started to cry.   My wife picked it up.  It was as I feared.  He took a bad fall and had a brain hemorrhage.   I thank God I wasn't there.   He died right away, they said.   No pain.   Thank God.   I wanted to.. . . to hold on. . . oh, God, deep breath, Johnny.   I always meant to . . . to. . . turn this thing off.  

* * *

My wife and I went through Mr. Goombats' belongings.  He had no family or relatives.   What we found was astonishing.  All the letters he had received over the years, from all those famous, some now historical, figures!   They are now in the archives at the NYU library. Anyone can go read them. 
We also found the autographed photos of Jean Arthur, Bette Davis, Errol Flynn, John Garfield, Gene Tierney,  Marlon Brando, Gregory Peck, Barbara Sreisand, Bing Crosby, and many more.   Those we kept ourselves.   

We also found a will.   Most of his possessions and money, which were not small, were left to me and Vinnie  Peanuts, who never forgot Mr. Goombats either.  He also left our children several bicycles.

As for Mr. Goombats' earthy remains, he did not wish to be buried.   His wishes were to be cremated and his ashes scattered from an airplane over the waters just off the coast of Cuba, near Havana.   I took care of that personally.   

As for his box, well, we had a nice ceremony for that.  I just couldn't stop crying during it.

* * *



* * *

Seems that nobody remembers Mr. Goombats anymore, or very few at least.   When those of us who do remember meet, usually at weddings or funerals, we can't help but talk about the old days and laugh, and talk about Mr. Goombats and his beloved box.  But soon, there will be no one left who knew him at all or has any memory of him at all.  It will be like he never existed.   Can that really be?  Can it be that no one will remember his sweet nature, his intelligence, his kindness, his generosity, and all the strange things did?  

Eh, soon, it will all be gone.  |

What can you do?   It makes me sad.

* * *

Oh, one really great, great thing happened.   A bunch of us who knew Mr. Goombats got together, each putting in some money and we had a plaque made and put on the front of the old tenement on 5th Street.   It says something like,


HERE LIVED CARLO GOOMBAZZA
From 1925 to 1981
WRITER, PHILOSOPHER, 
INVENTOR, PHILANTHROPIST
LOVED ANIMALS
 LIVED IN A BOX
WAS A FRIEND TO ALL


It's still there.    You can go see it.   I tell you, it's the thing I did that I'm most proud.  How do you like that, Mr. Goombats!  


* * *

I rarely drive to the old neighborhood anymore.  There is no one there to see, nobody from the old days, and it's much too depressing.   The city has changed so much.  It's so sad: no kids playing in the streets, no one hanging out on their fire escapes, nobody nowhere.   Are there any families still living in the city?   It seems not.   Everything has changed.   Mr. Goombats would not recognize it.  I don't think he would recognize the whole world.  I don't want to live in a world that Mr. Goombats would not recognize.


But, what else can I say?   Nothing.  I've talked enough and I'm tired.  That's it. 

I'll see you soon, Mr. Goombats!   And we'll sit and talk about the old days, eh?